by Old Tom, of old-tom.com
When I play with
people other than Jojasa, I nearly always play in public. For that matter, when
Jojasa and I have the option of playing public or in private, we'll often play
in public. Playing in front of an audience allows her to go further - she
doesn't want to disappoint.
She also enjoys watching me play with others. She's quite sadistic herself, and
enjoys making *suggestions*. "What a lovely cane welt. Wouldn't a clothespin
look nice on it?"
Playing in front of an audience carries its dangers. The audience can be rude,
crude, and/or interfering. I don't play where rude/crude might be an issue. One
thing I learned the hard way, is the danger of exceeding the *audience's* limits.
One particular scene was reported to the world at large as severely abusive. In
fact the "abuse" was the woman having an orgasm. Both jealousy and a phobia of "that
horrid BDSM stuff" were involved. Jojasa observed the whole thing, and
fortunately knows exactly what did and did not happen!
Funny thing... when I pull out the canes, people instantly vacate the space
within a four-foot radius of where I'll be standing. I've caused more collateral
damage on the backswing...
Why play in public? There are a number of reasons.
It's a safety net. She knows other people are watching, and there to help if
something goes wrong.
Many are exhibitionists and/or like being the center of attention. Works for me
Most importantly, that gives other people the opportunity to observe me playing
with one or more other people. She can form a comfort level, and we can
negotiate the scene based on what she's already observed.
The thing which becomes absolutely hilarious over a series of parties, is the
same thing happening time after time. Years ago I did a full-horsepower caning
scene with Kellfire. LadieJJ came to me later that weekend, explaining she was
curious about the cane, but not like *that*. Could we try something more
introductory? Of course we could.
The next party LadieJJ wanted more - a whole lot more. She was ready to seek
that subspace she'd observed, and was in the right frame of mind to accept what
the cane had to offer. Afterwards (it was a public scene) someone came to me in
front of LadieJJ, and used almost the exact same words: She was curious, but not
like *that*.
LadieJJ had a fit of the giggles. She thought it was so cool, because she
thought she hadn't taken all that much.
The next party we heard the exact same phrase the third time, after that
person's second caning scene.
Now, naturally, we expect the cycle to continue as a matter of course.
Still, there are difficulties.
After a full-horsepower caning, you're pretty much done for the weekend. So, the
standard procedure is to wait until the end of the weekend, and then ask Old Tom
to work around the other damage. (Which I can do; because canes are thin they
can be used with pinpoint accuracy. Like a sabre or foil, one can use the tip,
or any portion of, the blade.)
Conducting a full-horsepower caning scene is *not* easy or simple. Safewords
become irrelevant, because of the tripping through subspace. Every person is
different. No errors whatever are acceptable. Most important is discerning when
and how to stop. Aftercare, allowance for crashing, and explaining what the heck
just happened, are equally crucial.
So... a backlog of several such scenes at the end of the weekend does become
delightfully wearing ;-)
Public play, then, becomes something of a litmus test. Most will say No Way
ewwww ick ick. But some will have a curiosity - and I can work with that.